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Reckon

The Whole World's A Stage | Share a key intuit

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Her breakdancing won my heart

I remember being taken back in time by a windblown skirt

I remember sweating the Mind over all else

Countryside I am a far off cloud

Touch the big can-can if you need

and you’ve got a secret word

like the wild creatures

(Love you anytime the seeker)

Chris Weige | California, TX. | 2005 | Share a key intuit

categories: Chris Weige, poetry
Sunday 03.10.13
Posted by Reckon
 

Needed to be a doctor instead

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categories: inverted commas, poetry
Sunday 03.10.13
Posted by Reckon
 

Slack-jawed tossing

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categories: poetry, Chris Weige
Sunday 03.10.13
Posted by Reckon
 

Women Love To Write Poems About Sex

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categories: inverted commas, poetry
Sunday 03.10.13
Posted by Reckon
 

Inverted Commas: James Dickey

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categories: inverted commas, poetry
Sunday 03.10.13
Posted by Reckon
 

Amber Tamblyn Poetry Spinach

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categories: poetry, Chris Weige
Sunday 03.10.13
Posted by Reckon
 

Corn has ears and can float

I am looking for everyone discovering her hands and camera

that said they inhabit you - fossils - because you exist and blood floods the banks called boa

and might like to swallow your entire body of land and water - oooh, I do seem to see it and I’m going very fast

then slower - I know you your accent is on me / your teletype -

You must feel, after all, this affordable new scene - best modern turn-on better than cash - it’s not what you might think, kitten - it’s not the usual stuff and listen: it happens and you should too…everywhere the works promise fuel for the flame in the heart car nation

salvation / spiral tape loop

here her radiates somehow once ignored

branching mingled tongue

and groove sawtooth

and groove sawtooth

to perfect circle

always looking for clues

in the last lines of handwritten notes

pretty toenails bellies and trees dancing

feeling more free so

don’t stop sampling music

cause words show off music with ease

embrace the american turntable

on the jazz

rise happy teeth


categories: Chris Weige, poetry
Thursday 03.07.13
Posted by Reckon
 

He the lecturer, he the Glasgow guy

Playing the piano drunk while encouraging the ultra rich.

Ion 1934 ~ Dr. Ed Draw Wards was awarded a team of people well-fit, a hand fit with a well, and a plank from which many jumped, having lit their purses and suits afire. Evening gowns had already retired and adapted to higher altitudes. You too may have found yourself in a matinee picture show or lesser rib. The Lowlands, you notice, become much more fertile.

With his piano playing Dr. Wards attacked conspicuous childhood diseases. To acquire knowledge he shared his body with immigrant populations. Children began growing up without always being a body resembling a spine resembling ease. The doctor also discovered that Texas is the shape of advantage when the goin gets taut.

To this extent, Dr. Ed Draw Wards had defined a naturalized individual and collective genetic adaptation.

With strong sunshine, body heat, in one hand and out the other;

To La Paz in a few weeks; the natural resistance of a population climbs the peak ever-claimed because Heat is contagious.

categories: Chris Weige, poetry
Tuesday 03.05.13
Posted by Reckon
 

They're all in the garden with way-out maps

I. Temporary,

like a hotel room; it really is. Very few places or people ever truly feel like home. In the meantime, culture proceeds on the back of such a sensitive, youthful nation. Is anything certain then?

II. A hundred strong

strung-out high heels hurting:  “You can keep the cash.  It isn't worth it. " They’re not dumb. They’re not out of the loop. They have their own personal wishes and dreams, and particular things they like to eat (usually water and peas). People plead, “Stop singing, please! You’re ruining the music.” But they go on singing anyway, and in doing so give kickoff to new edges who turn on restless hubs truly in It. After word dances dance and ever do they daydream clock-less suspension bridges for words in mouths so deep the nipple tickles the tonsils and leaks. The alluring smell cresting the air is not the New Dumb or flicker glint of tanned legs bearing only crumbs and colorless sand. No, this is sort of fun, being in the New York Post in the time at hand getting free with all our lips hips and hands swooning, spiraling, becoming Grand.

What body will be?  What will the body be?  What be the body will? And is sogo.

III. Whilst smearing lipstick on strange statuettes

all in a row I had a feeling they could see me but I couldn’t see them. Like stars, their nipples and eyes. Ah, what thoughts in dancers reborn: We speak telepathically in photographs and undressed words, Alternate definitions and daydream dialects in a strange land America with stirring moles and ear handles farther back, down-field or interior where we are The Eye. It is so tragic and simultaneously so indescribably great that I am obliged to stop now and then and laugh in Its face.

Chris Weige | California, TX. | Sagacity 08 


categories: Chris Weige, poetry
Tuesday 03.05.13
Posted by Reckon
 

Smoking Toes

My face is stretched pale, my armor rusty;

All screams have vacated by morning got lost somewhere in sinister imaginings/ Gone!

Gone with fearless lips seductive silhouettes dipping the wall period red with words

And worlds co-existing effortlessly, without even the mind of vast consciousness in the upper regions:

A slow-motion kiss, a long-distance connection in a head-on collision;

Sex and love forever at war together in pieces down my throat with strange pulses

And mystery births, extraordinary Spanish feet cutting conversation in two and riding

Me into the living room/Barcelona!

Everybody is in Barcelona for the time being what we can, our souls in euphoria caressed

By the infinite pores and scent of something foreign: Legs, rubber, creeping chromosomes –

Isn’t it home moan? Isn’t it eureka?

The tiles begin to reshape past the walk; they sway and rat out old constellations from an autumn wall

Made to touch made to become a galaxy of faint freckles, a perpetual habit the rim of her smile her nostrils her teeth, which never seem to fit.

Out the den window is an orchard with the same sloping neck good morning.

Chris Weige | Austin, TX. 

categories: Chris Weige, poetry
Monday 03.04.13
Posted by Reckon
 

Sanyo just


your billing statements

the people who watch the catalog company record

who play 52-pick-up with rhetorical questions

who sign your name tinderella of oh

the shopping channel cons and sweep-stakes

the funny numbered culture

next

they

call

you

that

thing

that

gentle

sock

or last wild horse to break

so wake out of it

snap up

get yr galoshes and paint

think for change

think for change

i’m not even kidding

please n’ thank you

–a waterproof overshoe

….

…

..

.

Chris Weige | California, TX. | Share a key intuit.

Filed under  //   cw   poetry   reckon

  
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categories: Chris Weige, poetry
Saturday 03.02.13
Posted by Reckon
 

Crystal Mountains and Rings

I can float an engineless boat by using a particular expression.

I can smoke a kind of paperless hello while barreling through twice over surf. Primal won the rough stuff and favors, but Etna erupted cream-corn and cavity rock.

Breakers, topside takers, spontaneous talk about sex. I take after those sounds and little fits and starts all to find her name – look in – all to find her name in cool mad-beat persuasions.

Metamorphosis now in the word-farm wake up: heard her reaching through her skin with opinions. Motorcars, day come cross feather bed where she lay. Day do draw shadows down her neck which thinks she’s asleep; day do draw open the lids for her flashy and puckered close-ups.

I am thinking of something dramatic. An earthquake, which makes not a sound, escapes like the weightless taste of strawberries. The important, mumbling book records everlasting undress. 

​
categories: Chris Weige, poetry
Saturday 03.02.13
Posted by Reckon
 

Sogo You

I’m writing You,

And Now you’re reading it;

This is a mid-morning luxury:

The wall, the new empty wall and subway rocket,

Groove lines, syllables and gestures for the funny century,

Joke glyphs amongst primal faces painted.

Smoke words begin to tease candlelight intertwining.

Swift it is again evident, fatter and more plausible every time;

Tender and thinner and more sleek and toned;

You have done good things but you don’t hear it.

You have been in danger and have miraculously survived,

So Go You with your daring point of view –

Getcher mission on, er, pursue it and its massive ALL.

Lock those arms around it. Everyone just wants to laugh.

The young illuminate defiant acts. This is a connection you can achieve Now: Thinkers, having grown, having experimented, are relaxed.

It’s a rough road; it beats your face vacant but if you get past it your eyes begin to glow and, you know, you recover…it’s a simple intricate, again a course a yogi away:

Him reading a list of Her terms;

Him smoking;

Him utterly unique.


categories: Chris Weige, poetry
Saturday 03.02.13
Posted by Reckon
 

Quelly's Contemporary Vision

With everyone, and this is the world. The New World is about new forms of communication and experience. You may be downloading abstract space. An ambitious mindset lies at the foundation of society. It’s On-On business; there are lifestyle choices; and letting go. Actual living occurs – Embrace it! That is the key place. In the abstract space tell the computer to shake off the shackles. Reverberate Present Time. Kiss someone you know is there perpetually. Chris Weige | Austin, TX. | Share a key intuit 

categories: Chris Weige, poetry
Friday 03.01.13
Posted by Reckon
 

Serious Street Cred

Afloat an ecstatic whisper from long ago

Your feet feel the flood, the shaken sea: the embargo.

You are delicately unearthed and identified.

You and me tonight just the wild-mouth mystery

Drive with handsome signs n’ remote moon-eye;

We re-route the fisherman and grow windowed rooms

This side East where there are crevices and in those crevices

Clues: Wing, fin, or infinity? Will you and so-and-so do a guest spot?

You are so fast forward you knock a song off balance.

You become real by using your own face and kissing reverie.

You are the whole image bank.

A splash a drippy star Syrah

Cooking up the interstate doo-wop:

The storied buzz of our genitals,

Better elastic beats and bones;

A splash a drippy star Syrah

Memorizing hurried eyes and pulses:

Consummated charms and fevered flaws;

An erotic riot, no – even higher:

A Punany dream inspired.

So come on.

Chris Weige | Austin, TX. 

categories: Chris Weige, poetry
Friday 03.01.13
Posted by Reckon
 
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